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April 11 2013

19:41
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Reposted byEwels Ewels
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April 10 2013

19:08
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breezingby:

1963 VW Shorty Bus.

19:08
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19:06
06:34
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pretaportre:

Kate Moss, Glamour France 1992. 

05:25
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Reposted bytinderstickwasnaehalfinloveFuelGoingDownInFlamesmineandonlyminehersidecouplesSebeczektwojkotwiksnastieztrescigarrillossoulkillxxxxxxxxxxxxxxxdeepertruustmeJuliettekasiakocimietkamalinowowaforthewinyoursweetlipsbabyszwedkacrazymonstersoupornninaisdeadmiszielonykochajmniechceblantao5ranomalinowowareasonscanneverwinczekoladowezatraceniesiostsenicasiostsenicaPannaPandaSoSweetpannaannapodkreslajmniemineandonlyminekissaliciousNovemberGirlbeltaneCiambellemagdakAnzayEwelsbronieckaczulosckissgirlmartspitasoupornbelieveeclintwestwoodfanaberieMakeMePurrGoingDownInFlamestobeclosermaking-loverozalkaniewychamowaneenotthesameunknown-humansaaanxdivioxygeniumyoursweetlipsbabypoem-orgypatrycjuszowskaGoingDownInFlamesyoursweetlipsbabydidka113kotzmarsaneeds
03:58
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02:04

why wont anyone reblog my selfies

image

02:04
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02:03
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bustylovertits:

Pics submitted, Thanks !!!!!

Submit your ( ⊙ Y ⊙ ) pics @ my email:
 busty.lover.tits@gmail.com Show us your Huge b( ⊙ Y ⊙ )bs @ my blog!!!
 bustylovertits.tumblr.com

April 09 2013

22:12
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fuckyeablackart:

Artist: Vinie Graffiti

22:05
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thelostscriptsofkod:

Sex With Presidents

by Justine Lai

In Join Or Die, I paint myself having sex with the Presidents of the United States in chronological order. I am interested in humanizing and demythologizing the Presidents by addressing their public legacies and private lives. The presidency itself is a seemingly immortal and impenetrable institution; by inserting myself in its timeline, I attempt to locate something intimate and mortal. I use this intimacy to subvert authority, but it demands that I make myself vulnerable along with the Presidents. A power lies in rendering these patriarchal figures the possible object of shame, ridicule and desire, but it is a power that is constantly negotiated. I approach the spectacle of sex and politics with a certain playfulness. It would be easy to let the images slide into territory that’s strictly pornographic—the lurid and hardcore, the predictably “controversial.” One could also imagine a series preoccupied with wearing its “Fuck the Man” symbolism on its sleeve. But I wish to move beyond these things and make something playful and tender and maybe a little ambiguous, but exuberantly so. This, I feel, is the most humanizing act I can do.”

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